Dreams and Escapism within Death of a Salesman and Road Essay

destruction of a Salesman was written in 1949 in New York, right on the brink of a consumerist explosion. The Ameri laughingstock Dream that people had spent his life sentence in pursuit of was suddenly altered and became highly worldly- reasoned. This remaining people, such as the character of Willy Loman, questioning their life and feeling secluded from this new wave of materialistic dream and the abandonment of self sufficiency. Along with this, other bouts such as Cartwrights Road was written and set in eighties Britain, in a northern Lancashire town.This was a time of high unemployment, especially in the North, under Thatchers conservative power. The working class were hit hard and m any declined into poverty, any dreams at this point would appear hopeless faced with recession and a government that testifyed no repentance to the characters depicted in Road. Both were faced with times of dramatic change that both sets of characters could not correct to cope with, which i s where outflow is used. In the introduction of the play, Miller proves to his audience that dreaming is evident in remnant of a Salesman.An air of the dream clings to the place, a dream rising out of reality. By utilise the phrase rising out this indicates that this dream is a way of escaping, this sets the scene and tone of the whole play and how Willy is in a constant dream, unable to acknowledge the reality of his existence. The construction of the play is constructed like a stream of consciousness throughout, adding to the overall theme. Parallel to this, the structure within road is fragmented to emphasise the submit of life within Road and as well to represent the broken relationships.The characters within Road make no effort to disguise the misery and reality app arent in their lives and portray it at face appreciate through various monologues, which although are not structurally reality orientated the messages within them are. They are honorable of hopelessness and failed dreams and so for many escapism is taking refuge in sex and alcohol to deaden the despair and even starvation in an extreme case, as being a way out. However, approximately characters experience escapism through hallucination and Skin-Lad turned to religion to resolve his despair. Another form of escapism used is taking refuge in the ago.Willy constantly encloses himself in quondam(prenominal) situation, re-living them and even having conversations with characters that are and apparent in his own mentality. The positioning of scenes such as these let the imagined characters break all boundaries by entering or leaving rooms through walls. This further represents the fragile psychological state of Willy and how his mind has no restrictions and is unable to differentiate reality from creations of his own mind. Willy constantly refers to the past as more desirable, the original time Willy is seen lapsing off into the past is when he encounters Biff after arriving home.The conversation between Willy and Linda reflects Willys disappointment in Biff and what he has become. After failing to deal adequately with his feelings, he escapes into a time when things were better for his family. The fact he is more engrossed with memories than the present day, shows his willingness to escape to the past where his life was once idyllic, and his lack of compassion to stay in reality. This type of escapism can also be identified within Road, particularly in Jerrys monologue where the opening line states I cant get over it. I cant get over the past, how it was. I respectable cant.He goes on to further reveal to the audience about the time he spent in the RAF on national service. Similar to Willy, as he is reminiscing, his dream enters into reality. As he describes certain objects he reaches out to touch them as if they are still there. This device is used to hold a link between past and present and dream and reality. It is obvious both characters use the past to c over the present reality. The language within Road, particularly within the monologues, does not provide a down-to-earth representation of the characters typical vernacular which is usually gutter language.This is used to create a strain against themselves and their lives, another(prenominal) way to separate themselves from their reality. The text adapts a poetic resonance which seems unfitting for the topics being covered. Ive been make by them, it, the crushing sky of ignorance it has a strange beauty, just like road itself. Humour is also present throughout to divert away from what would be considered tragic occurrences however this is occasionally interrupted by graphic realism, such as Claire and Joeys untimely death through starvation.But true to the structure of the play, it is quickly overlooked by the narrator, Scullery who simply states Hey, wes gonna miss last orders which would not be considered a realistic reaction. However, within Death of a Salesman the language wh ich is used is typical of the characters. It is the context in which it is presented that provides the difference, particularly Willys conversations with characters which are not present. The end of Road depicts a group of characters chanting together in some way a somehow a somehow Might escape.This is an unrealistic technique used to reestablish the hope and dreams that had been diminished throughout the entirety of the play. It also re-assures the audience that there might be in some way out of this squalid existence that has been portrayed, and that even after everything, there is underlying hope. However, in complete contrast to this Death of a Salesmans closing scenes portrays Willys funeral. His constant dream-like existence is finally exposed to show Willy for who he really was.The reality is enforced and everything dream-related has died with Willy, leaving the harsh truth. In both plays, dreams and escapism are used thoroughly to uplift the tragic reality of the era in which the plays are set. Although, different strategies in both are used to cope with harsh realities they both provide a form of escapism for the characters and audience alike. Whether this is the humour, drink, sex and drugs present in Road or the constant reliance on the past and denial of present reality featured in Death of a Salesman.